“In essence, many of Snegirev’s stories are closer to poetry than to prose - to pure, laconic poetry that infects the reader with love for his native country and nature, in all its manifestations - both small and large.”

K. Paustovsky

March 20 - 85 years since the birth of Gennady Yakovlevich Snegirev (1933 - 2004) - children's writer, naturalist, traveler. He is not only a world-recognized writer who has worked all his life at the department of Moscow State University, but also a professional ichthyologist who is well versed in the habits and behavioral characteristics of animals and birds. Since childhood, I remember Gennady Snegirev’s story “The Camel Mitten.” And also “Inhabited Island”, “About Penguins”, “Chembulak”, “Beaver Hut”, “Wonderful Boat”, “Arctic Fox Land”, “The Cunning Chipmunk”, “About Deer”... Based on the stories of G. Snegirev in primers and anthologies children study in textbooks. His writing language is compared with the language of L. Tolstoy's children's stories and is put on a par with M. Prishvin, E. Charushin, B. Zhitkov.

Millions of former children - in three to five generations - will happily remember short stories and novellas by Gennady Snegirev, but they are unlikely to be able to say who their author is. Millions are not an exaggeration - this is the circulation of hundreds of books by Gennady Snegirev. When you get acquainted with the stories of Gennady Snegirev, a bright, kind world opens up of a man who loves and feels nature, knows and understands people, appreciates their courage, nobility, and love for all living things. Snegirev's stories are as brief as they are poignant. Here is just one phrase from the preface by Konstantin Paustovsky to G. Snegirev’s selection: “ In essence, many of Snegirev’s stories are closer to poetry than to prose - to pure, laconic poetry that infects the reader with love for his native country and nature, in all its manifestations - both small and large».

He was born a children's writer. And looked at the world like children. " I think, he said, what if a children's writer does not perceive real life, like a miracle, like a fairy tale, then there is no need to take up the pen and waste time in vain" Before becoming a writer, he tried many professions related to observing animals. He was a trapper, ichthyologist, zookeeper, ornithologist... Before he started publishing, Gennady Snegirev traveled a lot. He sailed as a sailor in the Pacific Ocean, was on various expeditions, wandered around with geologists Eastern Siberia, was a fish farmer and hunter. It’s not easy for him to remember all his routes. Yakutia, White Sea, Tuva, Arctic, Turkmenistan, Kurile Islands, Buryatia, Gorny Altai, Kamchatka... – he visited these regions more than once. He knew all the reserves, taiga and tundra, desert and mountains, seas and rivers. « When I travel around our country, I am always surprised by the cedars in Sayan mountains and whales in the Far Eastern seas... When you are surprised, you want to say what a huge country we have and there are so many interesting things everywhere! In the Voronezh Nature Reserve, beavers are bred and relocated to Siberian rivers. In the south, in Lenkoran, there is no winter, but in the Tuva taiga in winter there are such frosts that the trees crack. But the frost does not stop brave hunters from searching for sables and squirrels in the taiga. Schoolchildren also go to the taiga with their teacher and learn to untangle the tracks of animals and make a fire. After all, when they grow up, they will be hunters. You will read about all this in the book, and you will probably want to go everywhere and see everything with your own eyes.», - this is how the writer began his book “In Different Lands”. No wonder Paustovsky wrote about Snegirev: “ Absolutely real and accurate things in Snegirev’s stories are sometimes perceived as a fairy tale, and Snegirev himself - as a guide through a wonderful country whose name is Russia».

This unusual writer has a very checkered biography. Gennady Snegirev was born in Moscow, on Chistye Prudy March 20, 1933. Mom worked as a librarian at the locomotive depot of the October Railway. As the writer himself recalled: “ My stepfather served 17 years in the camps, built the northern Norilsk railway. He was tortured, and he endured these tortures because his own son was fighting at the front, and he did not want a shadow to fall on him. But the son had already been killed, and if the stepfather had known that he was killed, he would have confessed everything and incriminated himself. I didn’t know my father because my parents divorced before I was born. But my stepfather loved me, he was a theoretical physicist. He ended up in the camps as a result of a denunciation, and they made camp dust out of him. Just. I actually lived without my father" The family barely made ends meet; Gena learned from childhood what poverty and hunger were. He dreamed of traveling to distant lands: “ As a child, I loved to play this game - bringing a map to life. You look at Chukotka and think: and there, probably, now various adventures are in full swing, the hunters killed the walrus, but they can’t drag him home, and the storm is getting stronger... Or about the taiga, how they look for gold there and whether little boys are accepted in gold diggers or not. And very often my mother wondered why it took me so long to put on stockings in the morning.

“What,” my mother said, “do you want to be late for kindergarten?”

Mom didn’t know that I was traveling at that time».

When the war began, Gena, along with his mother, grandparents, went on evacuation to the Volga steppes, lived in the village, helped an old shepherd tend a flock of sheep, caught minnows in a steppe river with the boys, and fell in love with the steppe for the rest of his life. During the evacuation he was a shepherd. There, near Chapaevsk, he forever remembered the beauty of the Volga steppe.

Returning from evacuation to Moscow, he studied at school, then at two vocational schools, but he still lacked something, as if the school classes were crowded: “ I completed three classes, but they counted me for four - as long as I left the evening school. I was a typical wartime boy. I came to school naked, and when I left, I took my coat from the locker room. I studied at the crafts so that they would give me a work card. Then there was famine… To feed themselves, they had to speculate on something all the time. It was especially profitable to sell cigarettes at retail. Then there were “Cannon”, “Red Star”, “Delhi”. We sold cigarettes, and we had enough to buy biscuits, bread and bring home" At home in the former bathroom, he had a fox taken from the zoo, guinea pigs, dogs, and aquarium fish. And always, no matter how old he was, he was irresistibly drawn in vast Moscow to where he could see animals, birds, wildlife: to the bird market, to the zoo, Botanical Garden... When Gena Snegirev grew up, he began to travel not only on the map. At the age of 10-11, with his friend Felix, he loved to wander through the forests near Moscow: “ And as soon as I heard the cry of a tit in the autumn forest, I forgot about everything... These were the best moments of my life».

One day on the boulevard he saw a crowd of boys surrounding a man in a checkered jacket made from an old plaid. Desperate mischief makers, the terror of the area, stood and listened as if spellbound. Gena made his way through the crowd and also listened. This is how the embryologist Nikolai Abramovich Ioffe entered his life: “ On Chistoprudny Boulevard I saw a man surrounded by our yard punks. The man was tall, wearing a jacket made from a checkered plaid, and he was holding a test tube in his hand. I came close, there was a scorpion preserved in alcohol in a test tube. He told the children about the desert, and they listened that in place of the desert there was the Tethys Sea. Then he pulled out these shark teeth, almost as big as his palm, which were brown with age. And that’s how we met him. And what’s interesting—this also applies to other real scientists—I never felt a difference in age, no matter how old the person was. After all, Joffe was already an old man then..."

There was no need to finish vocational school: I had to earn a living. At the age of thirteen, the future writer began working as a preparator's student at the Department of Ichthyology at Moscow University. At that time, world-famous scientists taught at the Faculty of Biology: N.N. Plavilshchikov, A.N. Druzhinin, P.Yu. Schmidt and others. The teenager learned a lot from them: “ This was my education, because I communicated with old intellectuals, professors... By the way, one of the foreign scientists noted that if the most complex theory cannot be explained to a seven-year-old boy, then this means the theory is flawed. I always received answers from scientists at the simplest level. Communication with them replaced school and everything else for me. In this atmosphere I learned decency, honesty, everything that prevented me from lying my whole life...”. Snegirev became especially attached to Vladimir Dmitrievich Lebedev, who can be considered to have replaced his father. Lebedev, polar pilot, Hero of the Soviet Union, a most modest man, had just returned from the war. Dreams that come true for other boys when they become adults came true for Snegirev even in his childhood. At the age of 13, he went on his first long journey to Lake Peipsi. Together - teacher and student - they treated fish, made excavations on Lake Peipsi, the site of the residence of fish-eating tribes of the Quaternary period. Based on the bones and scales of the fish they ate, they reconstructed the breeds and size of fish from thousands of years ago. They were much larger then. They studied fish bones and scales (it turns out that scales, like a cut of a tree, can be used to determine how old a fish is). Soon G. Snegirev became an employee of the laboratory for fish diseases at the Institute of Marine Fisheries and Oceanography. He treated fish for rubella, fungi and other diseases, and even for the first time bred the Far Eastern limneus shrimp and the Amur goby fish in an aquarium. " Then from there I moved to the All-Russian Research Institute of Oceanology - my friend, the artist Kondakov, worked there - the best draftsman of the inhabitants of the seas and oceans, a specialist in cephalopods: octopuses, squids».

At the university, Snegirev began boxing (boys need to be able to stand up for themselves), and although he was thin, if not skinny, of small stature, he became the champion of Moscow among youth flyweights. One day he went into battle sick with a sore throat, after which he suffered a serious heart complication. Both malnutrition and heavy physical exertion took their toll - he was diagnosed with a heart defect. " I had a sore throat when there were competitions for the Moscow championship. And I went out onto the carpet sick. Then I suffered a heart complication and lay motionless in bed for two years, and I was 18 years old. We lived in a room in a communal apartment, where there were 10 other people besides me. My grandmother, drinking tea, said: “Well, now no one needs you, and you cannot be a loader. But Vitya Fokin entered the electromechanical technical school.” She invited some professor Chollet. And I heard them whispering, and he told her that I was hopeless, I would soon die. But I survived. I didn’t want to stay in this room, and I hired myself as a laboratory assistant on an expedition on the Vityaz to study deep-sea fish in the Kuril-Kamchatka depression. Nobody wanted to go on the Vityaz because it did not have additional ice lining. Previously, it was used to transport bananas from South America to Europe. I thought this: either I’ll die or I’ll come back healthy. It was a very difficult voyage: it was necessary to sail across the Sea of ​​Okhotsk, the most stormy and coldest, then across the Pacific Ocean - through the Strait of Japan along Tuscarora - to Chukotka. I returned recovered, although since then I have felt tired all the time.”.

The expedition took place in the winter of 1951/52 from Vladivostok to the shores of Chukotka, studying deep-sea fish of the Okhotsk and Bering seas. “Vityaz” left Vladivostok through the ice-free Sangarsky Strait, passed between the islands of Hondo and Hokkaido into the Pacific Ocean and headed to the shores of Chukotka: “ The further we went north, the stronger the storms and snow squalls were. At night, everyone was alerted to use axes to chop off the ice from the rails, from the yards, from the deck. Then the ice fields began. "Vityaz" was without ice lining. And, having reached the latitude of Ugolnaya Bay, he turned back.” « The ship stopped at depth. And all sorts of research was carried out there... Hydrologists measured temperatures at a depth of 400 meters. And we, ichthyologists, had a metal net, a glass like this. So we lowered it, then raised it, and took out everything that fell into the purse at the bottom. Ice water poured from above, the ship was completely covered in ice, and they chopped the ice with axes, because the ship could become heavy. And so I brought this glass to my laboratory and, pouring it into the vessel, looked at what was there. There one day I came across a lampfish - lampanidus, which was dotted and glowing with blue lanterns. Lampanidus swam at a depth of 400 meters. He lived with me only until the morning, and by morning the flashlights went out and he died. I think he illuminated the way for himself and other fish, no one knows, but otherwise why would he need these light bulbs, these blue lanterns?..”

At the age of 17, he went to work as a trapper at a zoo center. " In the remotest rivers, swamps, and lakes of Belarus, we caught beavers all summer and, when the summer season ended, we transported them in a freight car to Omsk, and then, along the Irtysh, to a small tributary river Nazym. And they released me there. I stayed until the beginning of winter to watch them spread throughout Nazim. Beaver observer" For a whole year he caught these amazing animals in the remote swamps of Belarus and transported them in freight cars for acclimatization. I observed how they settled and lived, and later described them in a series of stories “The Beaver Hut”, “The Beaver Watchman”, “The Little Beaver”.

And when he saw the results of his work, he went on a geological expedition to the Central Sayan Mountains, to Tuva. In 1964, together with his teacher, now Professor Lebedev, Snegirev set off on an extraordinary expedition - on a lifeboat, without a motor, under sail, without food supplies, with only salt, sugar, a spinning rod for fishing and a carbine for hunting . Over the course of two summers, the travelers completed an experimental survival flight along Siberian river Lena, starting from the upper reaches and ending with the delta in the north of the Arctic. The experimenters not only survived, but also studied environmental changes in the Yakut taiga and the Lena River. The book “On the Cold River” was later written about this journey. Then there were many more trips: to the Kuril Islands, Kamchatka, the White Sea, Lake Teletskoye Gorny Altai, to Buryatia, the Lankaran and Voronezh reserves... There were many professions: Snegirev drove reindeer with the reindeer herders of Chukotka, worked as a huntsman in the Kopetdag reserve of Southern Turkmenistan - but none of them became a matter of life, as observations of the animal world did not result in scientific works , which was predicted by colleagues from the university.

Gennady Snegirev’s life’s work was books, which were born from oral stories to friends and comrades in the sports section. When Gennady Snegirev returned from Far East, he had something to tell his friends who were gathering at the house of boxer Igor Timchenko. He was an amazing storyteller. Two or three phrases - and a finished story! I could listen to him for hours. He talked about the Pacific Ocean, about beavers, about what was happening to him and around him, and he was an observant and keen-sighted person. Unexpectedly, one of the listeners invited him to record his stories and promised to broadcast them on children's radio. His friend, the poetess Veronika Tushnova, took the stories to the radio, where they were immediately picked up and broadcast. At this time, the editors of “Detgiz” were looking for new interesting writers, and on the radio they were advised to pay attention to Snegirev. So 20-year-old Gennady Snegirev began writing for children.

His first book, “Inhabited Island,” is about the animal world. Pacific Ocean published in 1954. Snegirev was a writer without a desk - he most often dictated his stories over the phone. While the first book was in print, he went on a geological expedition as a collector to collect minerals. Reading Snegirev, you almost physically feel the force of attraction to distant, sparsely populated lands - a special, subtle feature of the human soul. The short story “The Wonderful Boat” begins like this:« I was tired of living in the city, and in the spring I went to the village to visit a fisherman I knew, Mikhei. Mikheev's house stood on the very bank of the Severka River" This “tired” thing arises inside in the spring, and it’s bad for those who cannot fulfill such a desire... “ I've been to 14 times Central Asia, only in Samarkand twice. I worked as a forester in Turkmenistan. I was in Bathyz - this is the plateau where Alexander the Great stocked dried meat before invading Persia. There are hyenas, leopards, cobras, there is Indian fauna, pistachio groves, the kingdom of porcupines. I have been to Tuva twice. The last time I wrote a book was about deer. It came out in France. I sailed on the whaler Hurricane."

Even many years later, the writer Snegirev brought his stories to the editorial office not in solemn folders with strings, but on pieces of paper, written haphazardly, up and down, even with errors. But the editors carefully smoothed out the pieces of paper from their travel bag and were ready to sort out any scribbles. One can understand these people: it is very rare that paper words in a book actually sound like the voice of the person sitting next to them. From the very first steps in literature, the writer Gennady Snegirev clearly imagined what kind of book the little reader would expect from him: “ When I see a children's book that is unfamiliar to me, I always think: will this book help the children bring another piece of the map to life?» All the books of the writer Snegirev - “Inhabited Island”, “Chembulak”, “About Reindeer”, “About Penguins”, “Arctic Fox Land”, “Wonderful Boat” and many others - bring to life on the map the steppe, the sea, and the desert, and taiga... Having become a writer, Gennady Snegirev also traveled a lot. And on every journey he made new friends who remained his friends for life.

Snegirev talks about all living things: about crows, bear cubs, moose, camels, beavers and chipmunks, about starlings and penguins, about a baby seal called “squirrel”, and about the small fish lampanidus, which glows in the depths of the cold sea with mysterious blue lights. The writer Snegirev says nothing about himself. He simply writes: “Our ship was sailing in the Gulf of Anadyr...”. Or: “For many days we rode through the taiga on horses...” After this first line, a short story slowly takes shape - just a page, even half a page.

Snegirev's stories are very short - one or two book pages. But, despite the brevity and laconicism of the stories, the child reader receives many impressions and can travel to different places without leaving home. The author's gaze makes you look at everything in these parts and be surprised by everything - because this childish curiosity and surprise lives in him. " I wanted to go everywhere and see everything“- how many times does a similar phrase appear in his stories! With truly childlike freshness, he depicts the state of a child discovering for himself the secret of the extraordinary transformations of nature.

His books are amazing; on their pages, the author, with childlike spontaneity, never tires of being surprised and admired by nature and the animal world. He brought back stories and butterflies from his trips. Madagascar butterflies on the walls look like silk scarves - incredibly large and bright. The stories are like fairy tales. Something unusual is always happening in them, but not everyone notices it. Korney Chukovsky once asked Snegirev about his books: “So it happened?” Snegirev replied: “It could be so.” A remarkable connoisseur of nature, Gennady Snegirev, in his poetic stories, was able to open the child to the world around him in all its fascination and novelty, while involving him in ethical reflections.

Not a single feature of the life of nature, of the life of the taiga, animals, birds and plants escapes him. Snegirev's stories are educational in the broadest sense of the word. In an ordinary puddle, he sees small snails hiding in their shell houses, horned eggs clinging to sea grass or stones. He is fascinated by a “dead” pupa that comes to life and becomes a beautiful butterfly, and a spider with a silver belly, and a water strider beetle on its thin legs. The writer makes us see something that we have not noticed before, feel something that, perhaps, we have never thought about: it turns out that the house of the silver spider is a balloon in which the spiderlings live, and the parent carries air to them; and the little mice, two or three at a time, sleep and fly, clinging to the fur of their mother, the bat; and who would have thought that the octopus loves to be stroked and caressed, and he glues his caviar to a stone and it sways under the water, like white lilies of the valley on thin stems! In Snegirev's stories, all nature is alive. Everything he sounds, breathes, moves, as his word sounds, breathes, moves.

Gennady Snegirev is considered a natural scientist and a master of educational literature. In fact, he is a real poet. Short stories by Gennady Yakovlevich are called prose poems. Moreover, the relationship between poetry and prose is not external, but internal, concluded in the poetic acceptance of the world. There are no works in our children's literature of such crystal purity and touching transparency as Snegirev's. He knew how to create such an unusual and memorable picture using simple means, briefly, without any deliberate beauty, that you see much more than what was said. G. Snegirev's stories are not similar to each other, although they are united by a common theme and style of presentation. He has lyrical sketches, detailed poetic descriptions of the nature, habits and life of animals. Their main meaning is that, following the author, readers learn to see. In the story “Mendume” there is a chapter called “I am learning to see,” which tells how, following the hunter - the Tuvan Mendume - the hero of the story wandered through the taiga. Before that, he had almost never met animals; Mendume taught him to peer intently into the taiga and understand the meaning of what was revealed to an attentive gaze. Snegirev also has funny humorous stories about animals (“Whaling Bear”, “Mikhail”). Snegirev writes about nature and animals, but his stories are densely populated with people. The heroes of his works are reindeer herders, hunters, fishermen, and their children, all of whom work taking care of animals (“Grisha”, “Pinagor”). The reader is not left alone with the forest and field for a moment - he is guided by the lyrical hero of the story.

Each new meeting with animals and birds gives the child hero new knowledge and impressions. A whole portrait gallery of animals was drawn by the writer, and each one has a character. There is the arrogant dog Chembulak, the cunning chipmunk, the curious traveler sparrow, the sweet tame bear Mikhail, the proud white deer Prince, like a real prince, the child-loving lumpfish, and the affectionate baby seal Fedya. The “trick” of the writer himself is that he turns those whom we see often and therefore stop noticing, the smallest and most insignificant, into fabulous strangers, and vice versa, overseas monsters, inhabitants of the seas and ice, brings closer to us, makes family and loved ones. The octopus, this horror of divers, by G. Snegirev looks like a hedgehog (“Octopus”). In order to make a creature that is unlike a person, even menacing, close and related, he depicts it as a cub, and even lost. He draws penguins as boys, mischievous, curious, among whom there are bullies, brawlers, and daredevils (“About Penguins”). However, their life is by no means an idyll. Skuas lie in wait for penguins on the shore, and leopard seals lie in wait at sea.

The reader has a feeling of pity for careless, mischievous creatures, although they are very far from us, and a desire to protect them and protect them. Because of the baby seal, people even turned the ship around to take it to its mother (“Belyok”). The sailors took him off the ice floe, but on the ship the squirrel became sad and refused milk, “and suddenly first one tear rolled from his eyes, then a second, and so they sprinkled him with hail. Belek cried silently.” It becomes especially alarming because the baby was taken to the same place, but placed on another ice floe. And we once again worry with the author: will he, like the “little monster,” find his mother? By evoking a sense of compassion and responsibility for living beings, the story becomes a lesson in kindness. This is what happens in the story “The Camel Mitten.” The boy cut off a piece of bread, salted it and took it to the camel - this is “for the fact that he gave me wool,” and he cut a little wool from each hump so that the camel would not freeze. And he got a new mitten - half red. “And when I look at her, I remember the camel,” the boy ends the story with a feeling of warmth.

Children's literature is not something written by adults for children. This is how a child sees. The writer believed: “ In order to write for children, and even for adults, you need to know life very well and have an ear for the language. If you have no hearing of the language, it is better not to start writing at all. Nothing will come of the composition if you write what you saw, like some people do. They also sign it like this: “a true story.” What it is? If you write for little ones, you must constantly realize that life is a miracle: both in small manifestations and in large ones. But a writer shouldn’t just write. He must change his life all the time, then he will have something to write about... And if you have seen a lot in life, then you will never make a mistake, even when thinking about it. The writer must think things through. I love such writers that it is impossible to throw out or insert a single word. After all, in order to write even a short story, you need to select a language for it. Because one word brings to life another. What works for a long story doesn't work for a short story.».

Snegirev's books of various genres - stories, novellas, essays - enjoyed constant success and were republished many times, because these books are amazing, filled with surprise and admiration for what he saw on his numerous travels. After reading them, the little reader himself will want to go to the taiga, to a forest fire, he will want to climb steep mountain slopes, swim across rapids, stormy rivers, ride horses, deer, and dogs. And most importantly, you want to be kind, not only to admire nature, but to protect and preserve it.

The stories of Gennady Snegirev will open up to young readers the amazing world of nature and its inhabitants: birds and animals, chicks and little animals. There is not a drop of fiction in them - after all, everything that the author writes about, he saw with his own eyes, traveling to different parts of our country, trying out many professions and activities: Gennady Snegirev participated in geological expeditions, archaeological excavations, dangerous voyages; I tried my hand at reindeer herding and huntsman, always remaining a sensitive observer of the world around me.

The illustrator of many of G. Snegirev’s books is the artist M. Miturich, they traveled together. Their best book is The Wonderful Boat. The collection takes its name from the story of the same name. This work is programmatic, and especially important for the author - it is not for nothing that the entire publication was named that way. And for readers it is interesting because in it it is easiest to discern the author’s position, to guess his artistic principle: a fabulous, poetic perception of the world combined with scientific accuracy in the depiction of nature and animal life.

His artist friend Viktor Chizhikov recalled the writer interestingly: “ When Snegirev received a long-awaited one-room apartment from the Writers' Union, the first thing he did was build a pool in the center of the only room, then he got a huge sturgeon from somewhere and threw it into this pool. Gena arranged special shows for his friends, for which he even got a fishing rod. Unfortunately, our stay with the sturgeon was short-lived, because... Neighbors downstairs began to receive complaints that the pool was leaking. A commission was called. Snegirev’s mother spoke with the commission. She explained that Gena is a writer, that he writes about nature and animals. So he built a swimming pool and kept sturgeon to watch and write about. The chairman of the commission asked: “Is your son going to write about whales?” The fate of the pool, and with it the sturgeon, was decided. When my son Sasha was five or six years old, I took him to the Zoological Museum on Bolshaya Nikitskaya. At the museum we met Snegirev and his daughter Masha. Gena took us around the museum, telling us about all the exhibits we encountered along the way. There has never been a more interesting museum visit in my life! And finally, he took us to the workshop where stuffed birds and animals were made. From there Masha and Sasha came out with small, very bright and beautiful bouquets. These were bouquets of parrot feathers. It turned out that Snegirev used to work in this museum, and he asked a female employee to make these bouquets for the guys».

From Snegirev’s memoirs: “ We lived on the fifth floor, on Komsomolsky Prospekt. It was a government highway. Sometimes, when I got drunk, I behaved outrageously. Neighbors wrote denunciations against me that I was disorderly on the government highway, thereby insulting the government. One day I decided to build an aquarium there for three tons of water. I found people carrying bricks, mixing cement, inserting glass. But the neighbors got wind and decided that the floor would collapse on them. They contacted the newspaper, and then correspondent Lavrov from Vecherka arrived, who wrote that the writer Snegirev - and the average person has an idea that the writer has an office, typewriters, a telephone on the right - built a swimming pool in his new apartment, where his wife swam naked and then jumped out and danced on a bearskin. It didn't mention that we lived in a one-room apartment. I wanted to make three compartments in the aquarium: for large fish the chromis family, in another - cold-water, in the third - I have not yet decided. But while my wife and I went to the Yalta House of Creativity, a feuilleton came out. My stepfather read it and broke the aquarium, threw bricks from the balcony - at night, so that no one would see, and then died...”

The elder, Archimandrite Seraphim Tyapochkin, became Snegirev’s spiritual father: “ And he always warned me when I left him what would happen to me. This is how I remember now: I came to him for a blessing for leaving: “Bless me for the train tomorrow.” - “The day after tomorrow is better.” He was a man almost two meters tall, but in photographs he looked bent and small. We stayed, but the train we were supposed to take crashed into another train. d." When asked in an interview whether he believes in God’s providence, he answered: “ Certainly. Sometimes the Lord himself brought me out of troubles. I once miraculously avoided being hit by a train. Or I was walking in Khiva with the artist Pyatnitsky, suddenly I fell dead to the ground - before that I was in mortal anguish - and then after a while I stood up and looked - there was a huge bruise on my heart, a little to the right...»

Snegirev became famous among the Moscow intelligentsia for his short oral - not at all childish - stories. They were admired by K. Paustovsky and Y. Olesha, M. Svetlov and Y. Dombrovsky, N. Glazkov and N. Korzhavin, D. Samoilov and E. Vinokurov, Y. Koval and Y. Mamleev, Y. Aleshkovsky and A. Bitov, artists D. Plavinsky and A. Zverev, L. Bruni and M. Miturich. They tried to write down after him, like V. Glotser, they tried to reproduce his stories from memory, like Bitov - Snegirev’s brilliant syllable became dead in other people’s lips, slipped away, evaporated. And yet, Snegirev was retold, trying to imitate his intonation, quoted, choking with laughter. In Bitov’s work, both in “The Flying Monkov” and in “Waiting for the Monkeys,” Snegirev, transformed by the author’s arbitrariness into the children’s writer Zyablikov, either decorates the narrative with his fabulous stories, or sends the hero on a hypnotic journey across Italy in search of his runaway brother, with whom he talks, having overtaken him somewhere in Venice...

Snegirev died on January 14, 2004. Many of his friends came to say goodbye to Gennady Snegirev; some cried bitterly, parting with this wonderful, “special” man. But already at the wake, when the time had come to remember him, laughter suddenly began to sound, which grew into friendly laughter: some kind of sudden joy, fun, as if a truly bright, talented person who had lived an amazing and worthy life did not fit within the framework of the time allotted to him ...

Snegirev's short stories are just the thing for kids to read.

Camel mitten

My mother knitted me mittens, warm ones, made of sheep’s wool.

One mitten was already ready, but mom only knitted the second one halfway - there wasn’t enough wool for the rest. It’s cold outside, the whole yard is covered with snow, they don’t let me walk without mittens - they’re afraid that I’ll freeze my hands. I’m sitting by the window, watching the tits jumping on the birch tree, quarreling: they probably couldn’t share the bug. Mom said:

Wait until tomorrow: in the morning I’ll go to Aunt Dasha and ask for wool.

It’s good to say “see you tomorrow” to her when I want to go for a walk today! Uncle Fedya, the watchman, is coming from the yard towards us without mittens. But they don't let me in.

Uncle Fedya came in, shook off the snow with a broom and said:

Maria Ivanovna, they brought firewood there on camels. Will you take it? Good firewood, birch.

Mom got dressed and went with Uncle Fedya to look at the firewood, and I looked out of the window, I wanted to see the camels when they came out with the firewood.

Firewood was unloaded from one cart, the camel was taken out and tied at the fence. So big and shaggy. The humps are high, like hummocks in a swamp, and hang to one side. The camel's whole face is covered with frost, and he chews something with his lips all the time - probably he wants to spit.

I look at him, and I think: “Mom doesn’t have enough wool for mittens - it would be nice to cut the camel, just a little, so that it doesn’t freeze.”

I quickly put on my coat and felt boots. I found scissors in the chest of drawers, in the top drawer, where all sorts of threads and needles are, and went out into the yard. He approached the camel and stroked its side. The camel does nothing, just glances suspiciously and chews everything.

I climbed onto the shaft, and from the shaft I sat astride between the humps.

The camel turned to see who was fussing around there, but I was scared: he might spit on me or throw me to the ground. It's high!

I slowly took out a pair of scissors and began to trim the front hump, not all of it, but the very top of the head, where there is more hair.

I trimmed a whole pocket and started cutting from the second hump so that the humps were even. And the camel turned to me, stretched out its neck and sniffed the felt boot.

I was very scared: I thought he would bite my leg, but he just licked the felt boot and chewed again.

I straightened the second hump, went down to the ground and ran quickly into the house. I cut off a piece of bread, salted it and took it to the camel because he gave me wool. The camel first licked the salt and then ate the bread.

At this time, my mother came, unloaded the firewood, took out the second camel, untied mine, and everyone left.

My mother started scolding me at home:

What are you doing? You'll catch a cold without a hat!

I actually forgot to put on my hat. I took the wool out of my pocket and showed it to my mother - a whole bunch, just like sheep's wool, only red.

Mom was surprised when I told her that the camel gave it to me.

Mom spun thread from this wool. It turned out to be a whole ball, it was enough to tie the mitten and there was still some left.

And now I go for walks in new mittens. The left one is ordinary, and the right one is camel. She is half red, and when I look at her, I remember a camel.

Starling

I went for a walk in the forest. The forest is quiet, only sometimes you can hear the trees cracking from the frost.

The trees stand and do not move; there is a blanket of snow on the branches.

I kicked the tree and a whole snowdrift fell on my head.

I began to shake off the snow, and I saw a girl coming. The snow is up to her knees. She rests a little and walks away again, looking up at the trees, looking for something.

Girl, what are you looking for? - I ask.

The girl shuddered and looked at me:

Nothing, it's that simple!

I went out onto the path, I didn’t turn off the path into the forest, otherwise my felt boots were full of snow. I walked a little, my feet were cold. Went home.

On the way back I looked - again this girl in front of me along the path was walking quietly and crying. I caught up with her.

Why, I say, are you crying? Maybe I can help.

She looked at me, wiped away her tears and said:

Mom was airing the room, and Borka, the starling, flew out the window and flew into the forest. Now he will freeze at night!

Why were you silent before?

“I was afraid,” she says, “that you would catch Borka and take it for yourself.”

The girl and I began to look for Borka. We must hurry: it is already getting dark, and at night the owl will eat Borka. The girl went one way, and I went the other. I inspect every tree, Borka is nowhere to be found. I was about to go back, suddenly I heard a girl shouting: “I found it, I found it!”

I run up to her, she stands near the tree and points up:

Here he is! Freeze, poor thing.

And a starling sits on a branch, feathers fluffed up and looking at the girl with one eye.

The girl calls him:

Borya, come to me, good one!

But Borya just pressed himself against the tree and doesn’t want to go. Then I climbed onto the tree to catch him.

He just reached the starling and wanted to grab it, but the starling flew over to the girl’s shoulder. She was delighted and hid it under her coat.

Otherwise,” he says, “by the time I get it home, it’ll freeze.”

We went home. It had already become dark, the lights were lit in the houses. I ask the girl:

How long has your starling lived with you?

For a long time.

And she walks quickly, afraid that the starling under her coat will freeze. I follow the girl, trying to keep up. We arrived at her house, the girl said goodbye to me.

Goodbye, she just told me.

I looked at her for a long time while she was clearing the snow from her felt boots on the porch, still waiting for the girl to tell me something else.

And the girl left and locked the door behind her.

Guinea pig

There is a fence behind our garden. I didn’t know who lived there before.

I just recently found out.

I was catching grasshoppers in the grass, and I saw an eye looking at me from a hole in the fence.

Who are you? - I ask.

But the eye is silent and keeps watching, spying on me.

He looked and looked and then said:

And I have a guinea pig!

It became interesting to me: I know a simple pig, but I’ve never seen a guinea pig.

“My hedgehog,” I say, “was alive.” Why a guinea pig?

“I don’t know,” he says. - She probably lived in the sea before. I put her in the trough, but she was afraid of water, broke free and ran under the table!

I wanted to see a guinea pig.

“And what,” I say, “is your name?”

Seryozha. How are you?

We became friends with him.

Seryozha ran after the guinea pig, I looked through the hole behind him. He was gone for a long time. Seryozha came out of the house, carrying some kind of red rat in his hands.

“Here,” he says, “she didn’t want to go, she will have children soon: and she doesn’t like to be touched on her stomach, she growls!”

Where is her little spot?

Seryozha was surprised:

What patch?

Like which one? All pigs have a spot on their nose!

No, when we bought it, it didn’t have a patch.

I began to ask Seryozha what he feeds the guinea pig.

She, she says, loves carrots, but also drinks milk.

Before Seryozha had time to tell me everything, he was called home.

The next day I walked near the fence and looked through the hole: I thought Seryozha would come out and take out the pig. But he never came out. The rain was dripping, and my mother probably didn’t let it in. I started walking around the garden and saw something red lying in the grass under a tree.

I came closer, and this was Seryozha’s guinea pig. I was happy, but I don’t understand how she got into our garden. I began to examine the fence, and there was a hole at the bottom. The pig must have crawled through this hole. I took her in my hands, she doesn’t bite, she just sniffs her fingers and sighs. All wet. I brought the pig home. I looked and looked for carrots, but I couldn’t find them. I gave her a cabbage stalk, she ate the stalk and fell asleep on the rug under the bed.

I sit on the floor, look at her and think: “What if Seryozha finds out who the pig lives with? No, she won’t find out: I won’t take her out into the street!”

I went out onto the porch and heard a car rumble somewhere nearby.

I walked up to the fence, looked through the hole, and there was a truck standing in Seryozha’s yard, things were being loaded onto it. Seryozha is rummaging around with a stick under the porch - probably looking for a guinea pig. Seryozha’s mother put pillows in the car and said:

Seryozha! Hurry up, put on your coat, let's go now!

Seryozha cried:

No, I won't go until I find the pig! She will have children soon, she is probably hiding under the house!

I felt sorry for Seryozha, I called him to the fence.

Seryozha, I say, who are you looking for?

Seryozha came up, and he was still crying:

My pig has disappeared, and now I have to leave!

I tell him:

I have your pig, she ran into our garden. I'll bring it to you now.

Oh,” he says, “how good!” And I was thinking: where did she go?

I brought him a pig and slipped it under the fence.

Seryozha’s mother is calling, the car is already humming.

Seryozha grabbed the pig and said to me:

You know? I will definitely give you a little pig when she gives birth to children. Goodbye!

Seryozha got into the car, his mother covered him with a raincoat because it started to rain.

Seryozha also covered the pig with a cloak. As the car drove away, Seryozha waved his hand at me and shouted something I couldn’t understand - probably about a pig.

Elk

In the spring I was at the zoo. The peacocks were screaming. The watchman drove the hippopotamus into his house with a broom. The bear was begging for pieces on its hind legs. The elephant stamped his foot. The camel moulted and, they say, even spat at one girl, but I didn’t see it. I was about to leave when I noticed a moose. He stood motionless on the hill, far from the bars. The trees were black and wet. The leaves on these trees have not yet blossomed. The elk among the black trees, on long legs, was so strange and beautiful. And I wanted to see a moose in the wild. I knew that moose can only be found in the forest. The next day I went out of town.

The train stopped at a small station. There was a path behind the switchman's booth. It led straight into the forest. It was wet in the forest, but the leaves on the trees had already blossomed. Grass grew on the hillocks. I walked along the path very quietly. It seemed to me that the elk was somewhere close, and I was afraid. And suddenly in the silence I heard: shadow-shadow-shadow, ping-ping-shadow...

Yes, these are not drops at all; A small bird sat on a birch tree and sang as loudly as water falling on a piece of ice. The bird saw me and flew away, I didn’t even have time to see it. I was very sorry that I scared her away, but somewhere far away in the forest she started singing and shading again. I sat down on a stump and began to listen to her.

There was a forest puddle near the stump. The sun illuminated it, and one could see some spider with a silver belly swarming at the bottom. And as soon as I looked carefully at the spider, suddenly the water strider beetle, on its thin legs, as if on ice skates, quickly slid across the water. He caught up with another water strider, and they galloped away from me together. And the spider rose up, took in air on its furry belly and slowly sank to the bottom. There he had a bell tied to a blade of grass with a web. The spider grabbed the air from its abdomen with its paws under the bell. The bell swayed, but the web held it, and I saw a balloon in it. This silver spider has such a house under water, and the spiderlings live there, so he brings air to them. Not a single bird can reach them.

And then I heard someone fiddling and rustling behind the stump on which I was sitting. I quietly looked in that direction with one eye. I see a mouse with a yellow neck sitting and picking dry moss from a stump. She grabbed a piece of moss and ran away. She will lay moss in the mice's holes. The ground is still damp. Behind the forest the locomotive began to whistle, it was time to go home. And I’m tired of sitting quietly and not moving.

When I approached the station, I suddenly remembered: I never saw a moose! Well, let it be, but I saw a silverback spider, and a yellow-throated mouse, and a water strider, and I heard a chiffchaff sing. Aren't they as interesting as moose?

Wild animal

Vera had a baby squirrel. His name was Ryzhik. He ran around the room, climbed onto the lampshade, sniffed the plates on the table, climbed up the back, sat on the shoulder and unclenched Vera’s fist with his claws - looking for nuts. Ryzhik was tame and obedient. But one day, on New Year, Vera hung toys, nuts, and candies on the tree and just left the room, she wanted to bring candles, Ryzhik jumped onto the tree, grabbed the nut, and hid it in his galosh. The second nut was placed under the pillow. The third nut was immediately chewed up... Vera entered the room, and there was not a single nut on the tree, only silver pieces of paper were lying on the floor. She shouted at Ryzhik:

What have you done, you are not a wild animal, but a domesticated, tame one!

Ryzhik no longer ran around the table, did not roll on the door, and did not unclench Vera’s fist. He stocked up from morning to evening. If he sees a piece of bread, he’ll grab it, if he sees the seeds, he’ll stuff his cheeks full, and he’ll hide everything. Ryzhik also put sunflower seeds in the guests’ pockets in reserve. Nobody knew why Ryzhik was stocking up. And then my father’s acquaintance came from the Siberian taiga and said that pine nuts did not grow in the taiga, and the birds flew away mountain ranges, and the squirrels gathered in countless flocks and followed the birds, and even the hungry bears did not lie down in their dens for the winter. Vera looked at Ryzhik and said:

You are not a tame animal, but a wild one!

It’s just not clear how Ryzhik found out that there was famine in the taiga.

About the chipmunk

Forest animals and birds are very fond of pine nuts and store them for the winter.

The chipmunk is especially trying. This is an animal like a squirrel, only smaller, and has five black stripes on its back.

When I first saw him, I couldn’t make out at first who it was sitting on the cedar cone - such a striped mattress! The cone sways in the wind, but the chipmunk is not afraid, just know that it is shelling the nuts.

He doesn’t have pockets, so he’s stuffed his cheeks with nuts and is going to drag them into the hole. He saw me, cursed, muttered something: go on your way, don’t bother me, it’s a long winter, you can’t stock up now - you’ll end up hungry!

I don’t leave, I think: “I’ll wait until he carries the nuts and find out where he lives.” But the chipmunk doesn’t want to show his holes, he sits on a branch, folds his paws on his stomach and waits for me to leave.

I walked away - the chipmunk descended to the ground and disappeared, I didn’t even notice where he had disappeared to.

Sly Chipmunk

I built myself a tent in the taiga. This is not a house or a forest hut, but simply long sticks folded together. There is bark on the sticks, and logs on the bark so that pieces of bark are not blown away by the wind.

I began to notice that someone was leaving pine nuts in the tent.

I couldn’t guess who was eating nuts in my chum without me.

It even became scary.

But then one day a cold wind blew, drove in clouds, and during the day it became completely dark due to the bad weather.

I quickly climbed into the tent, I looked - and my place was already taken. A chipmunk sits in the darkest corner. A chipmunk has a sack of nuts behind each cheek. Thick cheeks, slitted eyes. He looks at me, afraid to spit out the nuts on the ground - he thinks that I will steal them.

The chipmunk endured it, endured it, and spat out all the nuts. And immediately his cheeks became thinner.

I counted seventeen nuts on the ground.

The chipmunk was afraid at first, but then he saw that I was sitting calmly and began to hide the nuts in the cracks and under the logs.

When the chipmunk ran away, I looked - nuts were stuffed everywhere, large, yellow.

Apparently, the chipmunk has built a storage room in my tent. How cunning this chipmunk is! In the forest, squirrels and jays will steal all his nuts. And the chipmunk knows that not a single thieving jay will get into my tent, so he brought his supplies to me.

And I was no longer surprised if I found nuts in the plague. I knew that a cunning chipmunk lived with me.

Beaver lodge

A hunter I knew came to see me.

Let’s go,” he says, “I’ll show you the hut.” A beaver family lived in it, but now the hut is empty.

I've been told about beavers before. I wanted to take a better look at this hut. The hunter took his gun and went. I'm behind him. We walked for a long time through the swamp, then made our way through the bushes.

Finally we came to the river. On the shore there is a hut, like a haystack, only made of branches, tall, taller than a man.

Do you want, the hunter asks, to climb into the hut?

But how, I say, can you fit into it if the entrance is under water?

We began to break it apart from above - it did not give in: it was all coated with clay. They barely made a hole. I climbed into the hut, sat bent over, the ceiling was low, twigs were sticking out everywhere, and it was dark. I felt something with my hands, it turned out to be wood shavings. The beavers made their bedding from the shavings. Apparently I ended up in the bedroom. I climbed lower - there were twigs there. The beavers gnawed the bark off them, and the branches were all white. This is their dining room, and on the side, lower, there is another floor, and a hole goes down. Water splashes in the hole. On this floor the floor is earthen and smooth. Here the beavers have a canopy. A beaver climbs into a hut, and water flows from it into three streams. The beaver in the canopy wrings out all the fur dry, combs it with its paw, and only then goes to the dining room. Then the hunter called me. I crawled out and shook myself off the ground.

Well, - I say, - and the hut! I would have stayed alive myself, but there wasn’t enough stove!

Beaver

In the spring, the snow quickly melted, the water rose and flooded the beaver's lodge. The beavers dragged the beaver cubs onto dry leaves, but the water rose even higher, and the beaver cubs had to swim away in different directions. The smallest beaver was exhausted and began to drown. I noticed him and pulled him out of the water. I thought it was a water rat, and then I saw the tail with a spatula, and I guessed that it was a beaver.

At home he spent a long time cleaning and drying himself, then he found a broom behind the stove, sat down on his hind legs, took a twig from the broom with his front legs and began to gnaw on it. After eating, the beaver collected all the sticks and leaves, tucked it under itself and fell asleep. I listened to the little beaver snoring in his sleep. “Here,” I think, “what a calm animal - you can leave him alone, nothing will happen!”

Little monster

Our ship was sailing in the Gulf of Anadyr. It was night. I was standing at the stern. The ice floes rustled over the sides and broke. A strong wind was blowing with snow, but the sea was calm, heavy ice They didn't let him get angry. The ship made its way between the ice floes at low speed. The ice fields will begin soon. The captain steered the ship carefully so as not to crash into the ice.

Suddenly I heard something splashing right next to the side, even the ship rocked on the wave.

I look: some kind of monster is overboard. It will float away, then come closer and sigh heavily. It disappeared, appeared in front of the ship, surfaced at the very stern, the water glowing with green light from its splashes.

Whale! I can’t figure out which one.

Seals leave their babies on the ice, and only in the morning the mother swims up to the baby, feeds him milk and swims away again, and he lies on the ice all day, all white, soft, like a plush. And if it weren’t for his big black eyes, I wouldn’t have noticed him.

They put the squirrel on the deck and swam further.

I brought him a bottle of milk, but he didn’t drink the squirrel, but crawled to the side. I pulled him back, and suddenly, first one tear rolled out of his eyes, then a second, and they started to fall like hail. Belek cried silently. The sailors made a noise and said that they should quickly put him on that ice floe. Let's go to the captain. The captain grumbled and grumbled, but still turned the ship around. The ice had not yet closed, and along the water path we came to the old place. There the squirrel was again placed on a blanket of snow, only on another ice floe. He almost stopped crying. Our ship sailed on.

Michael

On one ship lived a tame bear, Mikhail. One day a ship returned from a long voyage to Vladivostok. All the sailors began to go ashore, and Mikhail was with them. They wanted to not let him in, they locked him in the cabin - he began to scratch the door and roar terribly, so that you could hear him on the shore.

They released Mikhail and gave him an iron barrel to roll on the deck, and he threw it into the water: he didn’t want to play, he wanted to go ashore. They gave him a lemon. Mikhail saw through it and made a terrible face; looked at everyone in bewilderment and barked - they deceived them!

The captain did not want to let Mikhail ashore because there was such a case. We played football on the shore with the sailors of another ship. At first Mikhail stood calmly, watched, only biting his paw with impatience, and then he couldn’t stand how he would growl and rush onto the field! He dispersed all the players and began to kick the ball around. How it will catch you with your paw, how it will catch you! And then as soon as it hooks, the ball just booms! And it burst. How can he be allowed ashore after this? And it’s impossible not to let it in, it’s such a huge thing: while it was small it was a ball, but when it grew it became a whole ball. We rode him, he doesn’t even squat. The strength is such that the sailors will begin to pull the rope - as much as they have, and Mikhail will pull from the other end - the sailors will fall onto the deck.

We decided to let Mikhail ashore, only with a collar, and watch carefully so that the dog does not meet him, otherwise he will break out and run after him. They put a leather collar on Mikhail. Boatswain Klimenko, the strongest on the ship, wrapped the strap around his hand, and Mikhail and the sailors went to the local history museum. They came to the museum, bought tickets, and Mikhail was tied near the entrance, in the kindergarten, by a cast-iron cannon; he couldn’t move it from its place. They walked around the crawl space in the museum, and the director came running:

Remove your bear! He doesn't let anyone in!

Klimenko ran outside and looked: Mikhail was standing in the doorway, a piece of a strap was dangling around his neck, and he was not letting anyone into the museum. A whole crowd of people gathered. It was Mikhail who was used to taking bribes on the ship. As soon as the sailors go ashore, he waits at the gangway; the sailors knew: if you were coming from the shore, you definitely had to give Mikhail candy, then he would let you board the ship. It’s better not to show yourself without candy - he’ll press you and won’t let you in. Klimenko got angry and shouted at Mikhail:

Shame on you, glutton!

Mikhail was frightened, he even covered his ears and closed his eyes. He was afraid of Klimenko alone and obeyed him.

Klimenko took him by the collar and brought him to the museum. Mikhail immediately became quiet, did not leave the sailors, examined the portraits on the walls, photographs, stuffed animals behind the glass. They barely pulled him away from the stuffed bear. He stood there for a long time, flaring his nostrils. Then he turned away. He walked past all the stuffed animals, didn’t even pay any attention to the tiger, but for some reason Mikhail liked the jay, couldn’t take his eyes off him and kept licking his lips. Finally they came to the hall, where the weapons were hung and a piece of the side from sailing ship"Robber". Suddenly Klimenko shouts:

Mikhail has escaped!

Everyone looked around - no Mikhail! They ran out into the street - Mikhail was nowhere to be found! We went around the yards to look, maybe he was chasing a dog? And suddenly they see: the director of the museum is running down the street, holding glasses in his hand, he saw the sailors, stopped, straightened his tie and shouted:

Remove the bear now!

It turns out that Mikhail was in the farthest room, where there were all sorts of bugs and insects, he lay down in the corner and fell asleep. They woke him up and brought him to the ship. Klimenko tells him:

Eh, you should only tear tarpaulins on boats, and not go to the museum!

Mikhail disappeared until evening. Only when the signal for dinner was given did he crawl out of the engine room. Mikhail looked guilty and hid in shame.

Bear cubs from Kamchatka

It was in Kamchatka, where green cedars grow along the shores of mountain lakes, and the roar of volcanoes can be heard, and the sky at night lights up with fire from the craters. A hunter was walking through the Kamchatka taiga and suddenly saw two bear cubs sitting on a tree. He took the gun off his shoulder and thought: “The bear is somewhere close!” And these were curious bear cubs. They ran away from their mother. Out of curiosity, one bear cub came down very close to the hunter. And the other little bear was a coward and only looked from above - he was afraid to go down. Then the hunter gave them sugar. Then the cubs couldn’t stand it anymore, they climbed down from the tree and began to beg for pieces of sugar from him. They ate all the sugar, realized that the hunter, the “beast,” was not at all scary, and the cubs began to play: lying on the grass, growling, biting... The hunter sees: cheerful cubs. He took them with him and brought them to a hunting hut, on the shore of a large taiga lake.

The cubs began to live with him and swim in the lake. One bear cub - they called him Pashka - loved to fish, but he couldn’t catch anything except mud and water grass. Another bear cub - they named him Mashka - was constantly looking for berries and sweet roots in the taiga. As soon as Pashka gets out of the water, shakes himself off, he begins to do exercises: front paws forward, right paw up, left paw down... and stretches out. Charging complete! Pashka did his exercises and began walking around the hut, looking into all the holes, sniffing the logs. I climbed onto the roof... and there was an unfamiliar beast! He arched his back and hissed at Pashka! Pashka wants to make friends with him, but it’s scary.

The cubs lived in a hut, swam in the lake, picked berries, dug up anthills, but not for long. One day a large bird chirped over the lake. Pashka rushed to run away from her. And Masha, out of fear, climbed onto a branch just above the water, about to fall into the lake. The bird descended into a taiga clearing, stopped chirping and froze. The cubs want to come closer and sniff her, but they are afraid, they look at her from afar. And then the cubs grew bolder and came up. The pilot gave them sugar, there’s no way to drive them away. By evening, the pilot put them in the cockpit, and they flew to the ocean shore. There they were brought to big ship, which was going to Petropavlovsk-on-Kamchatka. Pashka watched the sailors work on deck all the way. And Masha wandered around the ship and found a crab. I took a bite - delicious! And she started gnawing on it - she really liked the crab. The ship arrived in Petropavlovsk-on-Kamchatka. There, the bear cubs were given to the children, and they began to live in an orphanage. The guys fed them sugar and milk and brought them tasty roots from the taiga. Masha ate so much that her stomach hurt. But Pashka still begs the guys for pieces of sugar.

Cedar

As a child, I was given a pine cone. I loved to pick it up and look at it, and I was always amazed at how big and heavy it was—a real chest of nuts. Many years later I got to the Sayan Mountains and immediately found cedar. It grows high in the mountains, the winds tilt it to one side, trying to bend it to the ground, twist it. And the cedar clings to the ground with its roots and stretches higher and higher, all shaggy with green branches. Cedar cones hang at the ends of the branches: in some places there are three, and in others there are five at once. The nuts are not yet ripe, but many animals and birds live around. The cedar feeds them all, so they wait for the nuts to ripen. The squirrel will knock the pine cone to the ground, take out the nuts, but not all of them - just one will remain. This nut will drag a mouse into its hole. She doesn’t know how to climb trees, but she also wants nuts. The tits jump on the cedar all day. If you listen from afar, the whole cedar is chirping. In autumn, even more animals and birds live on the cedar tree: nutcrackers and chipmunks sit on the branches. In winter they are hungry, so they hide pine nuts under stones and bury them in the ground as a reserve. When the first snowflakes begin to fall from the sky, there will be no cones left on the cedar. But the cedar doesn’t mind. It stands all alive and stretches its green branches higher and higher towards the sun.

Chembulak sat on the floor and looked into my mouth. And then he grabbed a candle from the table and chewed it. Grandfather will think that I hid the candle so that I could light it later. I wanted to take the candle away, but Chembulak would growl. I climbed onto the table and threw a felt boot at Chembulak. He screamed and ran out of the hut.

In the evening, grandfather came, and with him Chembulak.

- Tell me why you offended Chembulak, he ran to my village and told me everything.

I got scared and said about the bread. And about felt boots too. I think it’s true that Chembulak told his grandfather everything. This is not a simple dog, but a cunning, cunning one!

A+ A-

Inhabited Island - a story by Grigory Oster

Interesting story about a boa constrictor's waking dream. A boa constrictor was inventing a dream about a desert island, and his friends were directly involved in constructing the plot!

One day a monkey and a parrot walked side by side and merrily sang a loud song.
- Shh! - the baby elephant suddenly stopped them. - Quiet! Do not make noise. The boa constrictor is sleeping.

Sleeping? - exclaimed the parrot. - Oh, how bad! He sleeps and we sing! That's just terrible. We sing and we have fun, but he sleeps and is bored. Sleeping is much more boring than singing. This is not fair on our part. It's not even fair. We need to wake him up immediately.
- So that he sings too! With us,” the monkey supported the parrot.
-Where does he sleep? - asked the parrot.
“Over there in those bushes,” the baby elephant showed.
- Monkey! - the parrot ordered. - Go wake him up!
The monkey climbed into the bushes and a minute later emerged with the tail of a boa constrictor in his hands. With this tail, the monkey pulled the entire boa constrictor out of the bushes.
- He doesn't want to wake up! - said the monkey, pulling the boa constrictor's tail.
- Don't want! - the boa constrictor grumbled. - And I will not! Why should I wake up when I have such an interesting dream?
- What are you dreaming about? - asked the little elephant.
- I dream that a monkey is dragging me by the tail.
“You’re not dreaming,” said the monkey. - It’s me who’s really dragging you!
“You don’t understand anything about dreams, monkey,” said the boa constrictor, yawning. - And I understand much more because I sleep much more often. If I say I’m dreaming, it means I’m dreaming. It's not easy to fool me!
- But you’re already awake! - said the parrot. - Since you are talking to the monkey, it means you have already woken up. And you're talking to her!
- I'm talking! - confirmed the boa constrictor. - But I didn’t wake up. I talk to her in my sleep. I dream that I am talking to her.
“But I’m talking to you too,” said the monkey.
- Right! - the boa constrictor agreed. - You're talking to me. In the same dream.
- But I’m not sleeping! - the monkey screamed.
- You're not sleeping! - said the boa constrictor. - You're dreaming! To me!
The monkey wanted to be indignant and even opened her mouth to begin to be indignant. But then a very pleasant thought occurred to her.
“I dream about a boa constrictor! - thought the monkey. - No one has ever dreamed of me before, but now I do. Oh, how great!”
And the monkey did not become indignant. But the parrot was indignant.
“You can’t dream about her,” said the parrot to the boa constrictor, “because you’re not sleeping!”
- No, maybe! - the boa constrictor objected. - Because I'm sleeping!
- No, he can not!
- No! Maybe!
- Why can’t he dream about me? - the monkey intervened. - I still can! Boa! - the monkey announced solemnly. - I can! And you will dream about me! With great pleasure. And you, parrot, don’t distract him, please! Come on, boa constrictor, you will continue to dream about me, and tell me what I’m doing there, in your dream?
- You stand and look at me! - said the boa constrictor.
- Hooray! - the monkey screamed, somersaulted over its head and climbed onto a palm tree.
- What am I doing now? - shouted the monkey from the palm tree.
- You climbed onto a palm tree and are hanging there by your tail!
“A boa constrictor,” suddenly asked a baby elephant standing aside, “do you dream about the monkey alone?” Don't you dream about anyone else?
- Why? - the boa constrictor was surprised. - I dream about you too.
- Thank you! - the baby elephant was happy.
- A! Baby elephant! - shouted the monkey from the palm tree. -Are you here too, in a dream? So that's the meeting!
And the monkey jumped from the palm tree straight onto the back of the baby elephant.

The parrot, who was left all alone, watched with envy as the monkey and the baby elephant happily dreamed of the boa constrictor. In the end he couldn't stand it anymore. The parrot came up to the boa constrictor and said:
- Boa constrictor! But I, too, have been planning to dream about you for a long time.
- Please! - The boa constrictor immediately agreed. - Sleep well!
“If you don’t mind,” said the parrot, “I’ll start right now!”
Before the boa constrictor went into sleep, the parrot cleaned its feathers a little and straightened its tail.
- Are you already dreaming about me? - asked the parrot.
- You're dreaming.
- Wonderful! “The parrot came up to the monkey and said sternly, “Monkey, stop tumbling and pulling the baby elephant’s trunk.” And you, baby elephant, stop tossing it now, and in general, if someone dreams about you, then please behave decently in other people’s dreams.
The baby elephant and monkey became silent.
“The boa constrictor,” said the parrot, “I would like to look at your dream more closely.” I would like to see what kind of nature you have here. Is it the same as we have in Africa, or different?

I think it's the same! - said the boa constrictor, looking around.
“I would like something new,” the parrot remarked firmly.
“The boa constrictor,” asked the baby elephant, “let you dream that we ended up on a desert island.” I've been wanting to go there for so long.
“I want to go there too,” said the monkey.
“Okay,” the boa constrictor agreed. He waved his tail and began: “I dream of a raging sea.” And in this stormy sea, at the will of the waves, a fragile elephant calf rushes.
- Which? What baby elephant? - the monkey was surprised.
- Fragile.
- And what is it? - asked the alarmed baby elephant.
“Fragile means small and unhappy,” explained the parrot.
- Yeah! - confirmed the boa constrictor. - And an even more fragile monkey and a very fragile parrot are holding on to the fragile baby elephant.

The monkey immediately grabbed the parrot and jumped with it onto the baby elephant.
There she pressed the parrot to her chest with one hand and grabbed the baby elephant's ear with the other.
“I dream that huge waves throw up a baby elephant and swing it in all directions,” continued the boa constrictor.

Hearing that he was being rocked, the baby elephant began to shift from foot to foot, and this caused his back to sway, like the deck of a real ship in a real storm.
- The monkey got seasick! - announced the boa constrictor. - And the parrot got infected from her!
- Seasickness is not contagious! - the parrot was indignant.
“In my dream,” said the boa constrictor, “she is very contagious.”
- Come on, come on! - the monkey supported the boa constrictor. - Get infected without talking!
- Would I rather have a runny nose? - suggested the parrot.
- No! - the boa constrictor said firmly. - Pain than they infect!
The parrot sighed.
“And suddenly!..” exclaimed the boa constrictor. - A desert island appeared ahead! The waves carried the baby elephant straight onto the rocks. "What to do?" - the monkey screamed.
The monkey immediately shouted this same thing: “What should I do?” with all my might and straight into the baby elephant’s ear.
From this “What to do?!” The baby elephant jumped up and fell on its side. The parrot and monkey rolled on the ground.
- The injured elephant calfs were safely washed ashore! - the boa constrictor said with satisfaction.
“The boa constrictor,” said the parrot, getting up, “I think you’re having a terribly scary dream.”
- Nothing like this! - the boa constrictor objected. - An ordinary dream. Average horror. So,” the boa constrictor continued, “I dream that you are on a desert island. And as soon as you got on it, it immediately became habitable.
- Why? - the baby elephant was surprised.
- Because now you live on it! - explained the boa constrictor.
- I will live in a tree! - said the monkey and climbed onto the palm tree.
- Get down! - demanded the boa constrictor. - I don’t dream about this palm tree.
- Which one are you dreaming about?
“I don’t dream about palm trees at all,” said the boa constrictor. - There are none on this island.
- What is there? - asked the little elephant.
- But there’s nothing. Only one island. That's all.
- There are no such islands! - the parrot shouted.
- It happens, it happens! - the boa constrictor consoled him. - Everything happens in my dreams!
- What happens to you if there aren’t even palm trees? - asked the monkey.
“If there are no palm trees,” the baby elephant thought, “does that mean there are no coconuts?”
- No! - confirmed the boa constrictor.
- And there are no bananas? And there’s nothing tasty at all? - the monkey was scared. - What will we have for breakfast, lunch and dinner?
- We don’t agree! - the parrot was indignant.
- We don’t want that! - said the monkey.
- That’s not interesting! - the baby elephant sighed.
“Listen,” the boa constrictor was offended. - Who is dreaming about whom? Am I for you or are you for me? You don't know what will happen next!
- And what will happen next? - asked the little elephant.
“Then,” said the boa constrictor, “you sat sad and hungry on a completely empty island and thought...
- What should I have for breakfast? - suggested the monkey.
- If you interrupt me, then dream about yourself! - the boa constrictor got angry.
- No, no, we won’t interrupt! - the baby elephant was scared.
- Then listen. And now, when you have completely lost hope for...
“...Breakfast,” the monkey quietly suggested. Fortunately, the boa constrictor did not hear and continued:
- And so, when you completely lost hope of salvation, a dot appeared in the raging sea.
- Do they eat a point? - the monkey asked the parrot in a whisper.
“They don’t eat,” the parrot explained, also in a whisper. - They usually put a period at the end...
- Oh! - the baby elephant sighed. - What a sad ending it turns out to be.
“The dot floated and became closer and closer every minute,” said the boa constrictor. - The closer it got, the more it grew. And finally everyone understood what it was. Everyone saw that it was none other than...
- Breakfast! - the monkey screamed in complete delight. - Breakfast has arrived!

- Monkey! - The boa constrictor sighed reproachfully. - Where have you seen breakfasts float on their own? It wasn't breakfast, it was me! This is me - the boa constrictor dreamed about himself, swam to your aid and...
- Brought us breakfast! - the monkey was happy.
“Okay,” the boa constrictor agreed. - I brought you breakfast.
“Probably,” exclaimed the delighted monkey, “probably you brought us bananas, and coconuts, and pineapples, and!..”
- I brought you everything you want! - the boa constrictor generously announced.

- Hooray! - the monkey screamed and rushed to hug the boa constrictor. The baby elephant also rushed. The grateful monkey and baby elephant hugged the boa constrictor with all their might. They even threw him up.
The parrot ran around them and shouted:
- Hush hush! Be careful! Now you wake him up! You'll push him away! He'll wake up now! What are you doing?!
- Oh! - the boa constrictor suddenly said. - I think I'm starting to wake up.
- No! No! - the parrot shouted. - No need! Wait! First we will eat everything you brought!
“I can’t,” said the boa constrictor. - I'm waking up.
- Well, how can that be? - The parrot flapped its wings. - At the most interesting point!..
- All! - The boa constrictor raised his head. - I woke up!
- Eh! - the parrot waved its wing. - Breakfast is missing!
- How did you disappear? Where did you disappear to? - the monkey was confused.
“He’s completely gone,” explained the parrot. - Left in a dream.
- Friends! - the boa constrictor suddenly said, rubbing his eyes with his tail. - What an interesting dream I had! Do you want to tell me? I dreamed that...
“You don’t have to tell me,” the boa parrot interrupted, “we know what you dreamed.”
- We know, we know! - confirmed the baby elephant and monkey.
- How do you know? - the boa constrictor was surprised.

(Ill. E. Zapesochnaya)

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Many writers - both Russian and foreign - devoted their work to nature, praising it in various forms: in the form of poems, fables, stories, novellas and novels. Such authors include Ivan Krylov, who is considered the most famous Russian fabulist; Sergei Yesenin, who wrote many poems about his native land; the great Alexander Pushkin, whose lines from the poem “Sad time! The charm of the eyes! many remember by heart; Rudyard Kipling, who created The Jungle Book, many of the stories from which were filmed.

Biography of Gennady Snegirev

The future writer was born on March 20, 1933 in Moscow. Gennady Snegirev’s childhood cannot be called prosperous: his father died in one of Stalin’s camps, and his mother worked in the library at the locomotive depot. The librarian's salary was often not enough even for the basic necessities, so the boy had to experience hunger and need early on.

After graduating from elementary school, Gennady Snegirev entered a vocational school. However, it took a lot of time, and I had to give up my studies to earn a living.

At the age of 13, Snegirev got a job at Moscow University as an assistant to scientist Vladimir Lebedev, who held the position of preparator at the department of ichthyology. Lebedev and Gennady Snegirev studied fish bones and scales and carried out excavations.

The boy began boxing and, despite his short stature and thin body, was the city champion in his weight category. However, he also had to leave the sport due to a discovered heart defect.

At the age of 17, Gennady Snegirev went on an expedition to study fish in the Bering and Okhotsk seas. After returning, he became interested in beavers and spent a year studying these animals. The result was Gennady Snegirev's stories about beavers.

The writer continued his expeditions. Together with Lebedev, they made a voyage along the Lena River in order to study environmental changes in the taiga. After this there were many more different trips: to Altai, Kamchatka, Buryatia and other parts of Russia. However, contrary to everyone's expectations, Snegirev did not become a scientist. He chose literature as his life's work.

Snegirev's stories. "Inhabited Island"

The first book, a collection of stories about nature, included 4 short works. All of them are united by one theme and tell about the fauna of the Pacific Ocean. Snegirev wrote them based on his personal observations during one of the expeditions.

One of the stories by writer Gennady Snegirev, included in this collection, is called “Lampanidus”. Lampanidus is a small fish, sometimes called a “lamp fish” due to the fact that small lights with a bluish glow are located throughout its body.

The story “The Inhabited Island,” from which the book takes its name, tells of a landing on a small island, on which only the guillemot bird is found among living creatures.

"Little Monster"

“The Little Beaver” was written by Gennady Snegirev while studying beavers, their life and behavior. As the title suggests, the main character of the story is a little beaver, who, due to the rising water in the river in the spring, swam far from his home and got lost.

The story "The Cunning Chipmunk" begins with the hero, probably a hunter, discovering that someone is leaving pine nuts in his home. It was a chipmunk who dragged all his supplies here so that jays and other animals would not steal them.

“Little Monster” is another work written after an expedition to explore the Bering Sea. Something is discovered overboard the ship, which the author first calls a “monster,” and later turns out to be a baby sperm whale that mistook the ship for another whale.

"Deer in the Mountains"

The illustrations for this collection were created by artist Mai Miturich. Together, Miturich and Snegirev form an ideal creative tandem - the stories and drawings complement each other, making them more lively and accurate.

The book is more voluminous than previous collections: it includes five dozen stories. Not only new works were included, but also those already familiar to readers - “Lampanidus”, “The Cunning Chipmunk”, “The Beaver” and others.

Snegirev created not only stories - he also authored two stories: “About Deer” and “About Penguins”. One of them was included in this collection.

Snegirev wrote the story “About Reindeer” during his expedition to Chukotka. It consists of 10 parts and tells about the writer’s journey through the taiga in the company of the reindeer herder Chodu.

"Arctic fox land"

Gennady Snegirev’s story “The Arctic Fox Land” is more voluminous compared to most of the writer’s works, so it was published as a separate book, and not just as part of collections.

The main character is a boy named Seryozha, who lives in Vladivostok. One day he ends up on an island where arctic foxes live. There Seryozha meets a girl, Natasha, and by force of circumstances they have to live alone on the island for some time. After some time, returning home, Seryozha does not forget about Pestsovaya Land and hopes to someday get there again.

"About Penguins"

Another story by Gennady Snegirev is “About Penguins,” first published in 1980 by the Children's Literature publishing house.

As you can guess from the title, the main characters are penguins who live “near Antarctica on a small island on the African side.” The story contains 8 parts, each of which tells about a specific episode in the life of these birds.

Like many of his works, the writer created this story based on his observations during the trip, so Snegirev was able to accurately and realistically describe the behavior of penguins in all sorts of situations.

"Hunting Stories"

The collection “Hunting Stories” is a cycle of stories about a boy, whose name is not given, and his hunter grandfather. They live in a small hut next to a stream. Grandfather has a hunting dog named Chembulak.

The cycle includes 4 stories. The narration comes from the perspective of a boy who talks about various episodes from his Everyday life, about how he goes hunting with his grandfather and Chembulak, and about the animals that they meet.

For example, in the story “Fur Skis,” the main character is a moose, whom a boy meets in a clearing in winter while walking on his grandfather’s fur skis.

LAMPANIDUS

In the very corner of the Pacific Ocean, near Kamchatka, there is Commander Islands. I saw them in winter.

The islands stuck out like huge snow-white snowdrifts in the green, winter ocean.

The snow on the tops of the snowdrifts was smoking from the wind.

The ship could not approach the islands: high waves crashed against the steep shore. The wind was blowing and a blizzard was howling on the deck.

Our ship was scientific: we studied animals, birds, fish. But no matter how much they peered into the ocean, not a single whale swam past, not a single bird flew to the shore, and nothing living was visible in the snow.

Then they decided to find out what was going on in the depths. They began to lower a large net with a lid into the ocean.

It took a long time to lower the net. The sun had already set and the snowdrifts had turned pink.

When the net was lifted, it was already dark. The wind swayed it over the deck, and the net flickered in the darkness with blue lights.

The entire catch was dumped into a liter jar and taken to the cabin.

We came across thin, delicate crustaceans and completely transparent fish.

I pulled all the fish out of the jar, and at the very bottom there was a small fish, the size of my little finger. Along the entire body, in three rows, like buttons, living blue lights burned.

It was a lampanis - a light bulb fish. Deep underwater, in the pitch darkness, she swims like a living flashlight and lights the way for herself and other fish.

Three days have passed.

I went into the cabin. The little lampanis died long ago, and the lights still burned with a blue, unearthly light.

INHABITED ISLAND

There are many small islands in the ocean. Some are not yet on the map, they have just been born.

Some islands disappear under water, while others appear.

Our ship was sailing in the open ocean.

And suddenly a rock sticks out of the water, waves crash against it.

This is the top of the underwater mountain appearing above the water.

The ship turned around and stood near the island, swaying on the waves.

The captain ordered the sailors to launch the boat.

This, he says, is an uninhabited island, we need to explore it.

We landed on it. The island is like an island, it hasn’t even had time to be overgrown with moss, just bare rocks.

I once dreamed of desert island live, but not like this.

I was about to return to the boat, and I saw a crack in the rock, and a bird’s head was sticking out of the crack and looking at me. I came closer, and it was a guillemot. She laid an egg right on a bare stone and sits on the egg, waiting for the chick to hatch. I touched her beak, she is not afraid, because she does not yet know what kind of animal a person is.

It must be scary for her to live alone on the island. In a strong storm, the waves even reach the nest.

At this time, the ship began to sound horns to return to the ship.

I said goodbye to the guillemot and went to the boat.

When on the ship the captain asked about the island, if anyone lived on it, I said that he did.

The captain was surprised.

“How can that be,” he says? This island is not on the map yet!

Kaira, I say, didn’t ask whether he was on the map or not, she settled in and that’s it; This means that this island is already inhabited.

KACHURKA

During a storm, the waves rise higher than the ship. You think: a wave is about to hit! No, it's gone, the next one is rolling in.

And so on endlessly: it will either lower the ship into the abyss, or raise it high, high.

There are only waves and waves around.

In such a storm, even whales stay in the depths.

And suddenly something white flashes between the waves, like bunnies, a thread one after another drilling through the tops of the waves.

If you take a closer look, it’s a flock of storm petrels flying, only their white bellies are visible.

Before the storm petrels have time to dodge the wave, the water will cover them and they will emerge on the other side. They push off the wave with their paws and fly on screaming. And somehow you rejoice for them: they are small, but fearless.

The first book I want to talk about is a collection of stories by children's writer Gennady Snegirev.

It so happened that he was a relative of our family. I don’t know him personally, but my mother told me how he once gave her a book. He was a real writer, and she was a teenage girl. And since family traditions We were very strong, then Snegirev’s books were always in the house in all editions.

Behind the line in the writer’s biography “father died in Stalin’s camps” lies a deep family wound. His uncle, Alexey Andreevich Snegirev, one of the most significant people in our family, was a very important official in the Ministry of Public Education. Supervised Moscow universities. Thanks to him, many provincial youth got the chance to study at the best institutes in Moscow. But there are some deep family secrets in this, the dark canopy of history over which the time has not yet come to pull back.

I chose 1975 to start - the year I started school. This was the time of my first independent steps - I was allowed not only to come and go to school myself, but also to move freely around the area. The thing is that we lived across the street from the school. I was specially sent to the school where my mother’s first teacher worked with the lower grades. I went to school already knowing how to read perfectly. And the main credit for this belongs to the children's writer Gennady Snegirev. Thanks to his books, I became inspired by reading, learned to see vivid pictures that I painted in my imagination and which the writer himself saw. I carried this magical feeling with me throughout my life. And I remember very well the moment when it arose.

The hero of Snegirev's stories is a boy who lives with his grandfather somewhere in the taiga. And each story is dedicated to the discovery of the magical world of the northern regions. Snegirev's talent as a writer lay in the fact that he could draw attention to such a little thing that only he was able to notice and which only under his gaze revealed all its magical mysteries.

It seemed that I knew all these stories by heart, but I re-read them again. It was akin to some kind of visual art. I had a filmoscope that showed filmstrips, and I had books that showed me their magical pictures. I read and imagined myself at Far North, sometimes in a dehydrated desert, sometimes in a remote taiga region.

Maybe, best book there was no way to find one that would make the boy want to read on his own.

I read a lot. Twice a week I went to the district library and brought 5 books from there - they didn’t give out any more. I specifically selected such books by size so that in 3-4 days I could master several and exchange them, and renew one. Even then, two inclinations formed in me - artistic and economic, and in life I managed to realize both. A passion for creating tables and graphs for any reason and a passion for inventing and experiencing.

Nobody taught me anything. I figured it all out on my own. Unless my grandmother demanded that everything that was asked be read aloud. It was torture, but wouldn’t we like to return, at least for half a day, one of those childhood torments with which we were so tormented in childhood and which it would be so nice to experience again?

Gennady Snegirev's stories made me a reader. It was probably a skill like swimming or riding a bike. And I successfully mastered it. Since then I have read many, many books. But I know very well that I have read negligibly little. But I remember my first children's book, which made me a reader.

The pictures show exactly those images that are familiar to me from childhood. There are probably more books by Gennady Snegirev hidden in the closet that are worth getting out and putting closer. The time will come for this too. Is it worth writing about how I regret that I never met “Uncle Gena”. But who knows what awaits us in the future... We will definitely see each other again!

To be continued...